“超越”VS“摹写”――评潜行于《孤独/莫扎特安魂曲》中的舞乐关系

Title: ““Chāoyuè”vs“móxiě”――píng qiánxíng yú 《Gūdú/Mòzhātè Ān Hún Qū》 zhōng de wǔ lè guānxì” (“Transcendence” vs. “Imitation”: Reviewing the Implicit Relationship between Dance and Music in Solitude/Mozart’ Requiem)

Author(s): Tian Xu; 田旭;

Journal: Yìshù Pínglùn 艺术评论 (Arts Criticism)

ISSN: 1672-6243

Year: 2017

Volume:

Issue: 10

Page(s): 86-88