“超越”VS“摹写”――评潜行于《孤独/莫扎特安魂曲》中的舞乐关系
Title: ““Chāoyuè”vs“móxiě”――píng qiánxíng yú 《Gūdú/Mòzhātè Ān Hún Qū》 zhōng de wǔ lè guānxì” (“Transcendence” vs. “Imitation”: Reviewing the Implicit Relationship between Dance and Music in Solitude/Mozart’ Requiem)
Author(s): Tian Xu; 田旭;
Journal: Yìshù Pínglùn 艺术评论 (Arts Criticism)
ISSN: 1672-6243
Year: 2017
Volume:
Issue: 10
Page(s): 86-88