迷失与悖离:对中国语境下“铃木训练法”接受向度的反思

Title: Míshī yǔ bèilí: duì Zhōngguó yǔjìng xià “língmù xùnliàn fǎ” jiēshòu xiàngdù de fǎnsī (Confusion and Deviation: Reflections on the Reception of “Suzuki Method” in China)#

Author(s): Ku Huijun 库慧君;

Journal: Xìjù Yìshù 戏剧艺术 (Theatre Arts)

ISSN: 0257-943X

Year: 2016

Volume:

Issue: 5

Page(s): 88-95